The slump continues.
I've managed to go from 30,000 to a touch over 50,000 words on the latest manuscript, and it's not nearly finished. The tentative title of Witchbreed's Fire has gone by the wayside in favor of another title that is more in keeping with the first book in this duet. I'm now calling it Daughter of the Deepwood.
Get your minds out of the gutter, folks.
Here's how the thought goes: In the same world as Daughter of the Twin Moons, there's another race of fae called the Daimónio Refstófae who reign over a land called Daimónagi. Students of classical languages will recognize the incorporation of Greek here. The race name loosely means "fluid demon" with "fae" added to it. These are a race of shape-shifting (fluid) fae. Most of the story takes place within the capital which is also a sentient mountain fortress, à la Minis Tirith from Tolkien's Lord of the Rings story. In my story, though, the fortress is called Froúrio Daimónafae, which basically means "demon castle" with "fae" tacked on it.
I have to keep using copy-and-paste, because I haven't yet internalized the spellings. Sloppy of me, I know.
So... the story begins in a prison in the human realm of Fyrgia, which has Biblical, not LOTR, associations (Phrygia). Our hero, Lord Captain Falco of the Daimónagi High Guard, contemplates his not-so-joyful future of torture when he hears a voice from the other side of the wall between prison cells. That other voice belongs to our heroine, Calista. She's been a prisoner much longer than Falco.
Without getting into details, they escape. However, Calista's injuries are too severe for fae healing. Indebted to Calista for her part in their escape, Falco takes her to the heart of the Great Forest, known as the Deepwood, where the two ancient and powerful guardians dwell. The unicorn guardians agree to heal her, but their healing manifests as something other than mere "restoration." As part of his debt of honor, Falco vows to join his soul with Calista's, which means he must relinquish his expectations of a marriage to the Lord General's lovely daughter, Sorcinnia.
Thus far, the adjustment period occupies much of the book. Calista is Witchbreed, not fae, and therefore different in a race and culture that prizes conformity. Froúrio Daimónafae, a Dwarf gardener, and a Pixie maid befriend her as she tries to find a place for herself and occupation within Daimónagi society and reconcile that she is not Falco's choice of bride.
Since this is a fantasy romance, Falco's affection for Calista grows, as well as hers for him. In a departure from my usual stuff, we're not dealing with "instalust" or love at first sight. Heck, I've gone 50,000-plus words into the book and they've hardly done more than kissed. There's a good reason for that, not the least of which is Falco's determination to treat his bride with honor.
I begin to wonder if Falco's version of romance hero is a backlash against the arrogant, womanizing jerks that serve as hero material in most romances today.
Back in May, I happily rode the upswell of business. I had five books under contract with a sixth pending. Editing work flowed in a steady stream. I published a book. Life was good.
As any freelancer learns, a business like this ebbs and flows like the tide. Autumn brought the ebb tide, which one might think would mean additional free time--or at least extra time to work on that next manuscript. Of course, life doesn't work that way. Editing gigs dried up. I lost a client because I can't read minds. Additional writing opportunities didn't pan out or offered far less than I would accept. (I've ranted before: I won't work for pennies per hour.)
Chasing gigs takes a lot of time, especially when opportunities seem destined to put one in one's place. The voices in my head went silent, then a new crowd of voices spoke and I had to write their story. So, as my publicist kindly reminds me, I did get a story out by year's end--just not the one intended. The intended manuscript will take at least another month, probably two, before it's ready for the editor to work her magic on it. And, of course, we got a dog after months of vowing that I didn't want another dog. (See last week's post on that.) And I enrolled in a marketing course.
The purpose of the marketing course is to build the freelance business. Of course, every author wants to make a good living from royalties. Very few ever manage to do so. I've read statistics that fewer than 10 percent of authors break $1,000 annually in royalties. I'm on track to break that, but the amount certainly isn't sufficient to provide a living wage. Thus, I must concentrate on the freelance writing and editing business for my bread and butter and veterinary bills.
So, I'm back in "build it" mode. I've since learned that "build it and they will come" is a lie. The process goes more like "build it, promote the hell out of it, and they might deign to respond." This is not a gripe, just a clear-eyed recognition of the vagaries of freelancing.
So, just to break up the boring monologue here...
Update on the younger son: If you've been reading this blog, then you know my younger son, Brian, enlisted in the Air Force. He departed for basic training at Lackland AFB, TX in September and graduated the first week of November. Currently stationed at the naval base in Pensacola, FL, he called last week with news of his first duty station: Elmendorf AFB in Anchorage, AK. That's about as far from home as he can get. He's pleased with the assignment, so I am happy for him, too. I've already suggested to family members that silk long johns would make a good Christmas gift for him.
My Christmas gift to you: Instead of working on the sequel to Daughter of the Twin Moons, another story occupied my mind and keyboard. It's finished and posted on this website as a free download: "Skeins of Gold" is my gift to you. This short story (fewer than 10,000 words) retells the Rumpelstiltskin fairy tale from the point of view of the miller's daughter. It always struck me that the miller's daughter got a raw deal in this fairy tale: her father's lie puts her at the mercy of a greedy king, who also lies to her. The imp, who saves her by accepting her paltry trade to spin straw into gold, has his own ulterior motives. In my version, the the imp becomes the hero and the miller's daughter fully realizes her unenviable predicament--and puts the blame for it squarely where it belongs.
The intended release to Daughter of the Twin Moons is tentatively titled Witchbreed's Fire. Look for it in the next couple of months. I'll be running a sale on the first book--$0.99 for the ebook--shortly before Witchbreed's Fire goes live.