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nEven though I’m a freelancer, writing and editing is my job. I enjoy doing both, which makes it great job. Like many jobs, however, it comes with ups and downs, things I like and things I dislike. After all, ain’t nothin’ perfect.
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nPart of my job concerns networking and marketing myself as open for business and as an author. Some of that is accomplished on Facebook where hordes of other authors attempt to convince people to buy their books. (I’m no different.) Many post excerpts of their work. A well-written, intriguing excerpt piques curiosity and interest. A poorly written excerpt backfires.
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nOnce in a great while, I contact the author with a private message to alert him or her as to the easily fixed errors in the content posted. After all, if you want to sell your book, then posting an excerpt riddled with mistakes gives a poor impression. Only once have I received a response from an author thanking me. Once, the author made the corrections, but didn’t acknowledge the error. Frankly, I’d hope that someone noticing errors in my posted excerpts–there will be errors because I’m not perfect–will alert me to them so they can be fixed.
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nSince editing is how I make my living, I’m particularly sensitive to the use of language. Frankly, I prefer editing fiction to nonfiction, because who doesn’t like a story? Not everything must be straightforward and blunt. Brevity and passive voice have their places and uses, as do allusion, allegory, and alliteration. Hah! I appreciate the poetic and lyrical as much as the staccato syllables of succinct and direct prose. My heart goes pitter-patter when an author makes language sing.
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nHowever, we don’t always get to do what we want, when we want, how we want, where we want, or with whom we want. To wit, I’m working on editing a manual. It’s over 90,000 words of a topic that doesn’t interest me in the least. The tone is dry, and I cannot figure out how to convert the pervasive passive voice to active voice without changing the point of view from didactic, third person POV to a more concise, conversational, second person POV style. That would require rewriting most of the manual, which they’re not paying me to do.
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nAt the other end of the narrative spectrum is an excerpt that appeared in my Facebook feed. It’s … florid. I cannot read that single paragraph, a neon-bright example of purple prose, without taking a break. The excerpt’s grammar is excellent, the punctuation spot-on, the language … that made me shudder. Knowing how that author writes, I would not offer to edit for him, if only because I cannot appreciate his style of prose. To put it simply: we’d clash.
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nWe all have preferences. As editor and writer, I don’t work with horror. Yep, my preference. I know what horror does to my impressionable mind, how it takes root and affects my imagination. It ain’t pretty or pleasant.
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nPerhaps that’s the best part of freelancing. I do get to indulge in my preferences to some extent. What a luxury!n
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